|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
3/4 length dress Twill Tartan Zip closure Lined interior Boning 3/4 length sleeves Composition: 80% Viscose, 20% Acetate
|
|
|
Description Let high glamour take over in this Westwood Red label Taffeta Tie Dress. A collision of structure and fluidity, this Emerald Green dress is a stand out piece for the coming season. Material: 100% Polyester Lining: 100% Viscose
|
|
|
Vivienne Westwood Red Label - White shift dress with a black and blue check, draped boat neck, gathered hip, asymmetric hem and full cotton lining - sits below the knee.
|
|
|
Description Cut a dynamic silhouette in this Westwood Red label Jacquard Tie Dress. The vivid pattern and angular direction of the fabric makes this a stand out new season piece. Material: 100% Viscose
|
|
|
Vivienne Westwood Red Label - Black Broderie Anglaise, halter neck dress in a silk mix with a lightly sculpted bodice, two front pockets, concealed hook and eye halter neck fastening, asymmetric hem and a concealed rear zip - sits just below the knee at the longest point.
|
|
|
Vivienne Westwood Red Label - White cotton three quarter sleeve t-shirt dress with an abstract blue skull and Vivienne Westwood Orb print.
|
|
|
Description This Westwood Red label Long Sleeve Dress makes the perfect Autumn wardrobe edition. Wear with a sleeveless shrug jacket and knee high boots for a slick new season look. Material: 100% Viscose
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Vivienne Westwood Red Label - White dress with a black and blue check, draped boat neck, exaggerated draped sleeves, a gathered bubble hem and full cotton lining - sits below the knee.
|
|
|
Vivienne Westwood Red Label - Winter white dress with raw edged scalloped layers, capped sleeves, draped neckline, cream tie waist and a double front opening - sits just below the knee.
|
|
|
Vivienne Westwood Red Label - Black crepe wrap-over dress with a draped neckline, rear tie and black Vivienne Westwood signature lining - sits at knee length.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Vivienne Westwood Red Label – Charcoal grey corset dress with a fully boned corset concealed beneath a fluid viscose jersey dress. The dress features slim twisted shoulder straps, one with a fluted capped sleeve, a draped V-waist with a soft fold covering the hips and a wrap-over skirt that crosses over and fastens at the rear with a single button at each side - sits below the knee.
|
|
|
VIVIENNE WESTWOOD - RED CT118-37937 Charcoal Dress
Vivienne Westwood Red Label – Charcoal grey crepe 40’s style dress with a draped boat neck, long sleeves with a pleated shoulder, angular front seam, asymmetric front vent, fitted rear and a concealed side seam zip – fully lined and sits above the knee.
|
£330
See 2 Stores
See All Stores
|
|
Vivienne Westwood Red Label - Fitted Aubergine striped wool mini dress with a cowl neck, long sleeves, a curved side seam and light bubble hem – fully lined and sits at mid thigh length.
|
|
|
Vivienne Westwood Red Label – Red jersey dress with a cowl neck, knotted shoulder detail, fitted bodice and a soft V-waist leading into a draped wrap-over skirt with sculpted folds to the front and rear - sits below the knee.
|
|
|
Vivienne Westwood Red Label – Black jersey wrap dress with long sleeves and a rear tie – knee length.
|
|
|
Vivienne Westwood Red Label – Metallic green dress with a draped, cowl neck, half length sleeves, concealed side zip, fitted bodice leading to a belted tie waist and a sculpted, gathered skirt - fully lined and sits at knee length.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|
|
Her designs combine a fearless unconformity with a sense of tradition. She is renowned for her gentle parody of Establishment styles, her use of very British fabrics such as Harris tweed and tartan, her re-use of historic garments such as the corset and crinoline. Yet, her approach has always been practical, driven by a curiosity about how things work, a process she describes as 'learning through action'.
|
|