Claudio Monteverdi : 151 results priced between £2.00 and £50.00

Release Date: 2010-04-26, Rating: Exempt

Release Date: 2012-09-03, Rating: Exempt

Description This motet was first published in Giulio Ceare Bianchi's Motetti, Libro I (Venice, 1620) and probably composed for St. Mark's Venice. For SSATB Choir and Organ Continuo, edited by Roy Jesson. English alternative provided.

Claudio Monteverdi - L'Orfeo

Portrait of Claudio Monteverdi - Domenico Fetti - Giclee Print from AllPosters.co.uk

Naxos 8556841 : Claudio Monteverdi / Vespers of the Blessed Virgin : Domine ad adiuvandum. Concerto : Duo Seraphim. Lamento d'Olimpia. Madrigals Book 2 : Crudel perche mi fuggi. Madrigals Book 4 : Ohime se tanto amate. Madrigals Book 5 : Cruda Amarilli. Madrigals Book : Lamento d'Arianna 1a parte - Lasciatemi morire / 2a parte - O Teseo o Teseo mio / 3a parte - Dove dove e la fede / 4a parte - Ahi che non pur risponde / 5a parte - Misera ancor do loco. L'Orfeo : Toccata Act III: Scorto...

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This is a not-too-inaccurate description of the publication which appeared later that year in Venice, dedicated to Pope Paul V. This begins with a ‘Missa da capella a sei voci fatta sopra il motetto In illo tempore del Gomberti’, to quote the fullest version of the title, which heads the organ part. There is no contradiction in having an organ part to a Missa da capella: the term lacked the implications that a capella was later to acquire. There was, however, one place where church music always was...

Description Monteverdi's setting of the Ave Maris Stella written for mixed voice choir SATB.

Arts Red Line 471432 : Accademia Claudio Monteverdi / Hans Ludwig Hirsch / Claudio Monteverdi / Exulta filia Sion. Ego flos campi. Jubilet tota civitas. O beatae viae. Fuge anima mea. Non e di gentil core. O come sei gentile. Et e pur dunque vero. Quel sguardo sdegnosetto. Si dolce e il tormento. Romanesca. Su pastorelli vezzosi. /

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Charming duets for intermediate level singers, enhanced by the piano accompaniment and in number 3 there are also violin parts, which could make the performance great fun. Only criticisms are the lack of direction on ornamentation/ dynamics, and the lack of English translation.

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The Libretto of Monteverdi's opera The Coronation of Poppea, edited by Alan Curtis.

The vocal score of Monteverdi's Magnificat, scored for double SATB chorus with Organ accompaniment. From Selva morale e spirituale, SV 281.

from 'Selva morale et spirituale' (SATB chorus and organ) Latin text

Setting for SSATTB by the innovative Renaissance composer, with lines included for two Violins and Continuo.

Antiphons, psalms and hymn for soloists and double choir. The score is written for 3 Tenor Trombones, 1 Bass Trombone and strings with basso continuo.Edited by Denis Stevens, with piano accompaniment.

SATB chorus

Psalm 109 for SSAATTBB soli and chorus, instruments and organ continuo.This version is edited from the Selva Morale Et Spirituale, Venice (1641) by John Steele.Vocal score with organ/piano accompaniment.

For SSATTB chorus and bass continuo.

Arranged for soprano, mezzo-soprano, and bass voices with optional soprano/tenor solo, strings and continuo. Edited by Lillian Stevens.

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Arts Red Line 477902 : Accademia Claudio Monteverdi / Hans Ludwig Hirsch / Benedetto Marcello / Sonata Number 1 in F. Sonata Number 2 in D minor. Sonata Number 3 in G minor. Sonata Number 4 in E minor. Sonata Number 5 in G. Sonata Number 6 in C. Sonata Number 7 in E flat. Sonata Number 8 in D minor. Sonata Number 9. Sonata Number 10. Sonata Number 11 in A minor. Sonata Number 12. /

Title Page of the Scherzi Musicali by Claudio Monteverdi - - Giclee Print from Art.co.uk

Dynamic CDS623 : Ensemble La Pifarescha / Coro Claudio Monteverdi / Bruno Gini / Francesco Cavalli / Magnificat a sei voci - from the collection Messa a 4 Voci Salmi e Litanie della B V by Monteverdi 1650. Magnificat a otto voci - from Musiche Sacre 1656. Canzona a dieci - from Musiche Sacre1656. Magnificat a otto voci - from Vespero della Beata Vergine1675. Magnificat a otto voci - from Vespero delle Domeniche 1675. Magnificat a otto voci - from Vespero delli Cinque Laudate 1675. Laetatus Sum...

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SA chorus

'Il Ritorno D'Ulisse In Patria' (The Return Of Ulysses), was first performed in Venice in 1640. Its stature among dramatic works of the seventeenth century has grown considerably and is now one of the most frequently performed of Baroque Operas. Alan Curtis has produced the first complete performing edition to be drawn from all available sources, carefully annotated throughout, the figured bass completed and the newly edited libretto and argomento given in full. Along with a useful scholarly...