indie music cd : 928 results priced between £5.00 and £25.00

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Play Guitar with CD backing tracks and matching music booklet (DVD insert sized). Includes five great Indie Rock hits. On CD: Two specially recorded 'soundalike' backing tracks of each song: Full demo with Guitar showing you how the song should sound. Backing track without Guitar for you to play along with. Music booklet contains: Music, chords and lyrics. Learn the Guitar part from tab or standard notation. Tracks: Heaven Knows I'm Miserable Now, In The Morning, Somebody Told Me, Ooh La, Ruby.

Following Morr Music's tribute compilations to Morrissey and Slowdive, this compilation is a tribute to the 1980s indie scene of New Zealand. Flying Nun, Xpressway, IMD or Corpus Hermeticum were the names of the labels; The Clean, The Chills or Tall Dwarfs the names of the bands - indie-pop and garage songs with an lo-fi Antipodean twist, a direct influence on bands around the world such as Pavement, Yo La Tengo and Sonic Youth. Now the Morr Music family has made them to their own in a fantastic...

Please note this does not come in a cd case. This is sent in the original cardboard sleeve.

I had this down as indie-pop but in my advancing years I may be thinking of something else...Beach Fossils, or The Beach Boys maybe. Instead this is lo- fi scuddy rock that sounds exactly like a Suicide that have dropped their steam-driven synths and picked up electric guitars. The opener 'Speedway King' is a bloody brilliant terrifying blast of panicky claustrophobia. So good in fact that they attempt to repeat the trick on the rest of the album with less memorable results. You know that thing...

The follow-up to their self-titled 2004 debut, 'Empire' marks the triumphant return of the Leicester based indie-electronica fusionists. Produced by Jim Abbiss (Editors, Arctic Monkeys) at Rockfield Studios in Monmouth 'Empire' delivers a more mature, expansive sound, coupled with Kasabian's trademark confident swaggering style. Includes the single 'Empire'.

'Couples' is the second album from Sheffield-based five piece The Long Blondes. After enlisting DJ/producer du jour Erol Alkan, the band present an exciting collection of tracks, marking a progression from their debut 'Someone To Drive You Home'. Mixing bold musical ideas from disco and synth pop to krautrock rhythms and sophisticated indie, the band keep their wry and pop culture referencing ideas intact. Overall it's an ambitious record and a testament to their talent and wit. The single 'Century...

This live recording of Glasgow indie-pop band Frightened Rabbit captures them having just released their critically-acclaimed second LP, ’The Midnight Organ Fight’, and performing it acoustically in full an is further enhanced by vocal contributions from James Graham of fellow Scots indie band The Twilight Sad.

Cult Brit indie-folk songstress follows up 2002's 'Daybreak' with this fourth album. Recorded in just two weeks with indie-rock guru Jim O'Rourke (Gastr Del Sol, Sonic Youth, Wilco) at the helm, it continues Orton's move away from the electronica elements that adorned her earlier work to a more traditional, folky style, which sports a stark directness and authenticity. Includes the single 'Conceived'.

'Simpatico' is the ninth studio album from Mancunian indie legends The Charlatans, and is their first album for Sanctuary records. One of the great British bands of the past two decades, this album marks yet another chapter in the band's remarkable career, and listeners will be pleased to find thatthe band have refused to rest on their laurels, pushing theenvelope once again and experimenting with their trademark sound without losing their core appeal. Includes the single 'Blackened Blue Eyes'.

This second Galaxie 500 LP (from 1989) tends to be regarded as the band’s finest, and a decade on it sure sounds like a formidable piece of work. Using a similarly slowed down, thinned out combination of guitar strum and plodding drums the band somehow continue to forge a unique sound that’s helped terraform the subsequent indie rock landscape. Bands like Low owe a great deal to this trio’s proto-slow core concoctions, and their songwriting never sounded better than on this LP.

"A Sort Of Homecoming" celebrates the best new Scottish music in the Homecoming year. It makes no apologies for adopting a familiar indie-pop paradigm, while throwing elements of folk, country, punk and bedroom pop into the melding pot. The album features 21 tracks from 19 Scottish artists. There is a nice mix of the well known, the soon-to-be-known and bands you might never have heard of, although this is Scotland so guitars are prominent in the musical landscape.

Dating all the way to the late 1920’s ‘Islands In The Sun…’ looks to give an in depth overview of fantastic Caribbean music that marked the start of Ska, Reggae, Dancehall and Rapso. Essentially Jamaican folk music, over it’s development Calypso music began incoporating elements of the various styles produced from the West Indies with topics ranging from love to enjoying life and island living. Some of the better known artists such as Lord Kitchener, The Mighty Sparrow and Count Owen all have multiple...

This is the debut album on Domino records from Glaswegian indie art-rockers Correcto. Tagged as a 'super group' for including members of Scottish favourites Franz Ferdinand and The Royal We, the four-piece produce a mixture of jagged guitar-fuelled tracks and softer ballads, alongside lyrics that invoke acts as diverse as Belle And Sebastian and Kraftwerk. Singles include 'Joni' and 'Do It Better'.

With a powerful and soaring voice delivering catchy melodies to folk-tinged indie rock, Lissie Maurus (known simply as Lissie) releases her debut full-length album 'Catching A Tiger'. Having toured with Ray LaMontagne and been compared with Laura Marling and Stevie Nicks, the Illinois-born singer/songwriter is able to capture the listener's imagination with emotive lyrics delivered in a southern twang. A superb record featuring 'Oh Mississippi', a homage to the river Lissie grew up alongside.

'Everything's The Rush' is the third album from Southampton-based indie rockers Delays. A sprightly set of jangle-pop that recalls such musical luminaries as The Cocteau Twins andTeenage Fanclub, this album is a fine follow-up to 2006's 'You See Colours'. Includes the single 'Hooray'.

Jocelyne Guilbault is professor in the Department of Music at the University of California, Berkeley. She is the author of" Zouk: World Music in the West Indies."<BR>"" <BR>

Konk is the second album from Brighton-based indie-popsters The Kooks. Produced at Ray Davies' famous studio of the same name, the album is a sprightly yet assured follow-up to the platinum-selling Inside In/Inside Out

Fifth album, following 2007's 'Puzzle', from the Scots progressive indie rockers. Here they forgo the overt commercialism of 'Puzzle' in favour of a return to their classic style welding emo-style structures to technically complex math- and jazzcore elements. Named for the novel by Mark Danielewski, produced once again by Garth Richardson (Gallows) and with striking cover artwork shot by the legendary Storm Thorgerson, the album includes the singles 'Mountains', 'The Captain' and 'That Golden Rule'.

Giant is a slightly more polished and rock-oriented release than the Spore albums preceding it -- some of the band's indie rock constructions are dropped in favor of the turgid, skronky riff-rock that was always a defining element of their sound. Luckily, Spore is fairly good at these typically Bostonian heavy rock conventions, and Giant fares well. Compared with the rest of the band's work, the album's only drawback is the use of occasionally whiny monotone vocals which, despite their more melodic...

First studio album from Jane's Addiction since their third LP 'Ritual De Lo Habitual' was released in 1990. The eleven track album reunites Farrell, Navarro and Perkins with new bassist Chris Chaney. Produced By Bob Ezrin (Pink Floyd/AliceCooper/Lou Reed) 'Strays' finds the band expanding its sound fusing an innovative amalgam of punk, indie, prog rock andfolk. Includes the lead single 'Just Because'.

'Middle Cyclone' is the sixth solo album from American singer/songwriter Neko Case. Produced by Case and Darryl Neudorf (The Sadies, The New Pornographers) and mainly recorded at the Wavelab studios in Tucson and in a barn on her Vermont farm, the album sees Case continue with the mix of alt-country and indie pop that graced her well received 2006 album 'Fox Confessor Brings The Flood'. Joined by her regular backing band, Case also enlists the help of M. Ward and Sarah Harmer as well as various members...

This fourteenth studio album from the veteran indie rockersis the follow-up to 2004's 'Around The Sun' and comes just six months after their 'Live' CD/DVD stopgap. The brusquest,most amped-up and aggressive album they have made in decades, the eleven songs on 'Accelerate' flash by in a scant 34 minutes and mark a return to the harder post-punk sounds of their pre-major label days, whilst not disregarding the infectious melodies that have made their name.

'Streets Of Gold' is the third album from electro-pop duo 3Oh3 and follows their successful 2008 album 'Want'. The band's controversial lyrics are on mischievous form on single 'My First Kiss' featuring Kesha and 'Touchin' On My' which bleeps out profanities to playful effect. Along with infectious, catchy melodies, the pair combines pop sensibility with thumping hip-hop inspired beats, while Andrew W.K. inspired 'House Party' displays their indie-rock edge.

Will Oldham, AKA Bonnie 'Prince' Billy, here continues to carve his niche in the world of indie-Americana with 'Beware', his seventh under his current alias. Where his preceding album, 2008's 'Lie Down In The Light', was a reasonably cheerful and buoyant affair, one look at the song titles alone for this release indicate that Oldham is considerably less bright here. Titles such as 'Beware Your Only Friend', 'Death Final' and 'I Don't Belong To Anyone' seem to suggest that the mood is significantly...

Delphic are Rick Boardman, Matt Cocksedge and James Cook, young men from Manchester who combine guitar, bass and vocals with their laptops and drummer Dan Hadley. The four-piece straddle the indie and dance genres and count Chemical Brother Tom Rowlands as a fan. Includes the 2009 single "Counterpoint".

In August of 2011, members of Danish indie electro band Efterklang traveled to the Arctic island of Spitsbergen, an abandoned Russian settlement near the North Pole. In Spitsbergen they spent time in the abandoned mining town of Piramida recording sounds in and around the decaying remnants of the leftover industrial remnants, including huge silos acting as reverb tanks and the world's northernmost piano. This audio expedition yielded more than 1,000 sound samples that the band would build this record...

. 'Total Life Forever' is the second studio album from Oxford outfit Foals, which follows their critically acclaimed debut 'Antidotes'. The math-rock band have streamlined their sound here, offering warmer vocals and an upfront emotional edge, shown through the first single 'This Orient'. The record was produced at Svenska Gramofon studios, Sweden, where they have progressed their experimental beat-driven indie sound into a more mature offering.

'The Chaos' is the Futureheads' fourth album, their first in two years, and is much heavier than its predecessors. Although the band's trademark angular indie-rock is still evident, the album uses much more distortion than earlier Futureheads work. This gives 'The Chaos' a 90s alternative sound, that recalls Blink 182 or early Weezer in places. However, 'Struck Dumb' - the first single from the album - is representative of the sound that they honed on their 2004 debut.

'Demon Days' is the second album by bizarre cartoon conceptband Gorillaz. With a dizzying array of guest stars including De La Soul and Roots Manuva, the album takes jazz, indie and hip-hop elements and melds it into a sleek, unique soundthat sounds fresh and innovative. Includes the single 'FeelGood Inc'.

'Stars Of CCTV' is the debut album from Surrey-based indie rockers Hard-Fi. Fusing together a host of influences, including Happy Mondays-esque baggy, sunkissed Ibizan grooves andeven classic two-tone ska, Hard-Fi have crafted an album that buzzes with raw energy and enthusiasm, celebrating the best of British pop culture. Includes the singles 'Cash Machine', 'Tied Up Too Tight' and 'Hard To Beat'.

With an unforced comfort unusual among new, young artists on small indie labels, 21-year-old Jackie Greene offered an impressive batch of above-average Americana roots rock on this 2002 release. There's a world-weariness to his songs that might not seem fully earned given his age. But he sounds like he's feeling the emotions authentically enough, with a voice that blends country, rock, folk, and a bit of blues with as much ease as his music does. There's some early Dylan in that mix, and like Dylan...

Keane's debut album, 'Hopes And Fears', follows their Fierce Panda single, 'Everybody's Changing'. The East-Sussex trio play piano led melodic indie rock evoking elements of both OMD and Coldplay. This release combines gentle synths with dramatic piano leads to create an indie pop crossover.