neumann condenser microphone : 63 results priced between £400.00 and £3,000.00

Universal tube microphone. Pressure gradient transducer with the large diaphragm capsule from the legendary U 47 and M 49. Transformerless circuitry. Low self noise level. Comes with swivel stand mount made of metal, universal power supply, and cable in an attractive aluminium case. Acoustical operating principle: Pressure gradient transducer. Directional pattern: Cardioid. Frequency range: 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1 kohm: 20 mV/Pa. Rated impedance: 50 ohms. Rated load...

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price. The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.

Acoustical operating principle Pressure gradient transducer. Directional pattern Omnidirectional, wide angle, cardioid, hypercardioid, figure-8. Frequency range 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1 kohm 8 mV/Pa. Rated impedance 150 ohms. Rated load impedance 1000 ohms. Equivalent SPL CCIR 468-3 28 dB. Equivalent SPL DIN/IEC 651 17 dB-A. S/N ratio CCIR 468-3 66 dB. S/N ratio DIN/IEC 651 77 dB. Maximum SPL for THD 0.5% 134 dB. Maximum SPL for THD 0.5% with preattanuation 140 dB. ...

The TLM 49* is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.

The U 87 is probably the best known and most widely used Neumann studio microphone. It's a condenser microphone with a large dual diaphragm and a unique frequency and transient response characteristic. The dual-diaphragm capsule affords three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

Acoustical operating principle Pressure gradient transducer. Directional pattern Cardioid. Frequency range20 Hz...20 kHz. Sensitivity at 1 kHz into 1 kohm 21 mV/Pa. Rated impedance 50 ohms. Rated load impedance 1000 ohms. Maximum SPL for THD 0.5% 138 dB. Maximum output voltage 13 dBu. Supply voltage 48 V ? 4 V. Current consumption 3 mA. Weight approx. 500 g. Diameter 60 mm. Length 132.

Sound characteristics based on the legendary U 67. Three switchable directional characteristics (omnidirectional, cardioid and figure-8). Switchable high-pass filter and pre-attenuation. Transformerless circuit technology. Dual-color exterior design. Acoustical operating principle: Pressure gradient transducer. Directional pattern: Omni/cardioid/figure-8. Frequency range: 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1 kohm: 10/18/9 mV/Pa. Rated impedance: 50 ohms. Rated load impedance: 1 kohms...

The TLM 193* is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle.

Acoustical operating principle Pressure gradient transducer. Directional pattern Cardioid. Frequency range 20 Hz...20 kHz. Sensitivity at 1 kHz into 1 kohm 23 mV/Pa. Rated impedance 50 ohms. Rated load impedance 1000 ohms. Equivalent SPL CCIR 468-3 17.5 dB. Equivalent SPL DIN/IEC 651 7 dB-A. S/N ratio CCIR 468-3 76.5 dB. S/N ratio DIN/IEC 651 87 dB. Maximum SPL for THD 0.5% 138 dB. Maximum output voltage 13 dBu. Dyn. range of the mic. amplifier DIN/IEC 651 131 dB. Supply voltage 48 V...

Acoustical operating principle: Pressure gradient transducer. Directional pattern: Omnidirectional, cardioid, figure-8 plus. Frequency range: 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1kohm: 20/28/22 mV/Pa. Rated impedance: 200 ohms. Rated load impedance: 1 kohms. Equivalent noise level, CCIR 26/23/25 dB. Equivalent noise level, A-weighted: 15/12/14 dB-A. Signal-to-noise ratio, CCIR (rel. 94 dB SPL): 68/71/69 dB. Signal-to-noise ratio, A-weighted (rel. 94 dB SPL): 79/82/80 dB. Maximum SPL...

The TLM 170 R* was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 150 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure gradient transducer. Directional...

The KMR 82i is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 150 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure transducer. Directional...

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 152 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure gradient transducer. Directional...

Acoustical operating principle: Pressure gradient transducer. Directional pattern: supercardioid. Frequency range: 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1 kohm: 4.5 mV/Pa. Rated impedance: 50 ohms. Rated load impedance: 1000 ohms. Equivalent SPL CCIR 468-3: 28 dB. Equivalent SPL DIN/IEC 651: 18 dB-A. S/N ratio CCIR 468-3: 66 dB. S/N ratio DIN/IEC 651: 76 dB. Maximum SPL for THD 0.5%: 150 dB. Maximum output voltage: 12 dBu. Dyn. range of the mic. amplifier DIN/IEC 651: 132 dB. Supply...

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 148 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure gradient transducer. Directional...

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 150 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure transducer. Directional...

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 148 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure gradient transducer. Directional...

Miniature microphones with 7 exchangeable capsules. Active capsules, detachable up to 50 m from the output stage. Great variability through capsule extensions and goosenecks. Switchable 10 dB pre-attenuation enables sound pressure levels up to 148 dB without being overloaded. Set includes windshield and two different clamps. Transformerless circuitry. Extensive accessories. The KM 100 output stage has a 3-pin XLR connector. Acoustical operating principle: Pressure gradient transducer. Directional...

Condenser microphones are very common in studios. They have a much greater frequency response and transient response than Dynamic Mics- that means the speed at which they can reproduce an instrument or voice. They also generally have a louder output, but are usually quite sensitive to loud sounds Condenser microphones are generally much more expensive than dynamic microphones.

Highly regarded live vocal condenser microphone. Neumann sound on stage. Excellent transparency for vocals/speech. Cardioid polar pattern with excellent feedback rejection. Without off-axis colouration. Transformerless output. Effective pop shielding without any side effects. Set includes: KMS 104 bk Microphone, SG 105 Stand clamp, Padded nylon bag. Acoustical operating principle: Pressure gradient transducer. Directional pattern: Cardioid. Frequency range: 20 Hz ... 20 kHz. Sensitivity...

Highly regarded live vocal condenser microphone. Neumann sound on stage. Excellent transparency for vocals/speech. Cardioid polar pattern with excellent feedback rejection. Without off-axis colouration. Transformerless output. Effective pop shielding without any side effects. Set includes: KMS 104 Microphone, SG 105 Stand clamp, Padded nylon bag. Acoustical operating principle: Pressure gradient transducer. Directional pattern: Cardioid. Frequency range: 20 Hz ... 20 kHz. Sensitivity at...

Directional characteristics: Cardioid. Principle of operation: Pressure gradient. Cartridge type: Pre-polarized condenser. Frequency range: 20 Hz to 20 kHz. Frequency range, ±2 dB: 40 Hz to 20 kHz. Sensitivity, nominal ±2 dB at 1 kHz: 10 mV/Pa; -40 dB re. 1 V/Pa. Equivalent noise level, A-weighted, re. 20 µPa: Typ. 18 dB(A) re. 20 µPa (max. 20 dB). Equivalent noise level, ITU-R BS.468-4: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting). S/N ratio (A-weighted), re. 1 kHz...

Title Neumann BCM104 Radio Presenters Studio Condenser Microphone

This system is devised by using two matching 6.8k Ohm resistors where the positive pole of both modulation wires are fed to these resistors and recovered in the microphone. Due to the high degree of balance (because of the carefully matched resistors), no potential difference voltage exists between the modulation wires. Thus the term "Phantom Power" has come to be understood as a powering system where no voltage is developed between the modulation pins of the microphone and...

Acoustical operating principle: Pressure gradient transducer. Directional pattern: Omnidirectional, cardioid, figure-8. Frequency range: 20 Hz - 20 kHz. Sensitivity at 1 kHz into 1 kohm: 20/28/22 mV/Pa*. Rated impedance: 200 ohms. Rated load impedance: 1000 ohms. Equivalent SPL CCIR 468-3: 26/23/25 dB*. Equivalent SPL DIN/IEC 651: 15/12/14 dB-A*. S/N ratio CCIR 468-3: 68/71/69 dB*. S/N ratio DIN/IEC 651: 79/82/80 dB*. Maximum SPL for THD 0.5%: 117 dB (cardioid). Maximum SPL for THD 0....

Variable large diaphragm microphone. Pressure- gradient transducer with double membrane capsule. The studio microphone classic. Three directional characteristics: omni, cardioid, figure-8. Switchable low frequency roll-off. Switchable 10 dB pre- attenuation. Ideal as main and as support microphone in the most differing recording situations. Acoustical operating principle: Pressure gradient transducer. Directional pattern: Omnidirectional, cardioid, figure-8 plus. Frequency range: 20 Hz ...

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Type: Condenser Pressure Gradient w/ 34 mm edge-terminated capsule. Frequency Range: 25 Hz/24 Khz. Polar Pattern: 9 - Swutchable from omni- to bi-directional w/ patern control disable. Sensitivity: > 11 mv/pa. Impedance: 200 ohms. Equivalent Noise: 15 db (A-weighted). Power Requirements: Dedicated Power Supply. Size: 50mm x 225 mm. Weight: 620g. Package includes: Microphone in Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. Made in the USA.

System includes Microphone In Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. Type: Condenser Pressure Gradient w/ 34mm capsule. Frequency Range: 20Hz/22Khz. Polar Pattern: 9 - Switchable from omni- to bi-directional. Sensitivity: 12 mv/pa. Impedance: 200 ohms. SPL: 140 db. Equivalent Noise: 16 db (A-weighted). Tube Type: EF Stahlröhren (Steel Tube). Power Requirements: Dedicated Power Supply. Size: 58mm x 235 mm. Weight: 855 g.

Neumann KM100 series variable condenser miniature microphone with 7 active microphone capsules available: